[ He doesn't hear the walkie's chirp. He's witnessing the island turning on itself—the crush of bodies in the treetops, the churn of them. His own body taut with pain in way that feels, for a moment that seems to expand until it exists outside of time, sympathetic.
He keeps thinking—it's taking shape. A little longer and he'll see it.
Maybe she sends the message again. Maybe—gaze exhausted by the frenzy of movement—it finally occurs to him to check. Either way, it's a long while before Rust musters: ] yes
[She doesn't keep messaging. She doesn't see the point, unless twenty-four hours pass and the first message disappears: if he can't or won't answer the first, then it stands to reason that he can't or won't answer a second.
theyre moving se [ A feeble protest against the certainty that the airfield's been wiped out, buildings infested, bodies stripped of meat. ] wheres she now?
Fuck's sake. [ Emerges all in a breath, his voice a ragged scrap. He sways on his feet, adjusts his sweaty grip on the walkie. They're fine. Makes no fucking sense, but they're fine.
Leaving him to try and fit a vision to words. There's a pause, his gaze cutting across the landscape. He resists the compulsion to look back. ] I'm gonna, I'm gonna tell you what I saw. I'm up in the mountains a ways, yeah, and I, it's—
They're swarming the forest. I mean for miles that's all there was, en fucking masse. Trees're crawling with them. Like, like flies on a corpse, don't know what you're looking at at first. [ He stops. Not really a pause: he's run out of words or maybe energy.
[ He shakes his head. Swallows back you don't believe me. Of course she doesn't: she doesn't believe any of this. ] Don't be a fucking moron. [ He says, harsh. Feeling the words in his chest.
He retains the wit, at least, not to just tell her to run. ] Go back to base. They need you there.
[ Without realizing he makes a frustrated noise. He can't fairly argue that she ought to listen, pay attention to what he's seen—not when he doesn't know where it came from, when it could be something in his head turning reality like a kaleidoscope. It sure as hell sounds crazy out loud. ]
Alright. [ Said in the same tone as: fuck. ] But you start seeing crabs, you head the other way.
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He keeps thinking—it's taking shape. A little longer and he'll see it.
Maybe she sends the message again. Maybe—gaze exhausted by the frenzy of movement—it finally occurs to him to check. Either way, it's a long while before Rust musters: ] yes
how bad
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But she is relieved when he responds.]
Not here. Airfield got it bad.
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hurt?
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can you talk?
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[Please ignore how worn out she sounds, Rust.]
Yeah, she says the crabs showed up like something out of a horror movie--
[Shaw's assessment, obviously, not the Viking's.]
-- and a couple people got hurt, but they're all okay.
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Leaving him to try and fit a vision to words. There's a pause, his gaze cutting across the landscape. He resists the compulsion to look back. ] I'm gonna, I'm gonna tell you what I saw. I'm up in the mountains a ways, yeah, and I, it's—
They're swarming the forest. I mean for miles that's all there was, en fucking masse. Trees're crawling with them. Like, like flies on a corpse, don't know what you're looking at at first. [ He stops. Not really a pause: he's run out of words or maybe energy.
Eventually: ] Where are you?
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[Sorry, buddy; she still thinks sharing exact locations over the walkies is probably a bad idea.]
You sound like crap.
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He retains the wit, at least, not to just tell her to run. ] Go back to base. They need you there.
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Alright. [ Said in the same tone as: fuck. ] But you start seeing crabs, you head the other way.
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[Not actually; she's moving about the same regardless. And after a moment--]
I'm not ditching you.
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